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Apu Spoke Again After Nine Years. “The Simpsons” Knew One Wrong Move Would Blow Up

Writer: Arttainment Arts Desk
Arttainment Arts Desk
Oct 22
3 min read

Apu Nahasapeemapetilon has spoken on The Simpsons for the first time in nearly a decade, and the voice is no longer Hank Azaria’s. Indian American actor Sunil Malhotra now performs the character, while Janina Gavankar voices Apu’s wife, Manjula. The return is short, deliberate and impossible to separate from the argument that pushed one of the show’s most recognizable supporting characters offscreen.


Apu appears in the episode “Apu’s First Honest Conversation,” ending a long absence that became more noticeable with every new season. The character had not vanished from the show’s world entirely, but he stopped receiving meaningful dialogue as producers confronted criticism of the accent, stereotypes and the fact that a white actor had voiced an Indian immigrant for decades.


Actor Hank Azaria, the former voice of Apu on The Simpsons, before the character returned with Sunil Malhotra in the role

Hank Azaria stepped away from voicing Apu in 2020. The character has now returned with Sunil Malhotra taking over. Image: Neal Brennan / Wikimedia Commons / CC BY 4.0


Azaria stepped away from the role in 2020. He later spoke publicly about listening to people who found the portrayal harmful and about his own responsibility in the conversation. The decision did not settle the larger question. Some viewers wanted Apu retired. Others argued that removing a prominent South Asian character solved nothing if the show was unwilling to write him with more depth.


Casting Malhotra is therefore only the first test. Representation behind the microphone matters because performance carries cultural detail, rhythm and instinct. It does not automatically repair the writing. Apu still has to exist as a shop owner, husband, father and Springfield resident rather than as a collection of familiar punch lines. The new voice can open the door, but the scripts determine where the character goes.


The episode appears conscious of that burden. The title promises honesty, and the return does not pretend that nine years of silence never happened. A television institution as old as The Simpsons cannot reboot its history every time culture changes. Its more difficult option is to acknowledge what audiences loved, what others experienced as ridicule and why both reactions can be true at once.


Malhotra arrives with a long career in animation, games and voice performance. Gavankar is also an established actor with extensive genre and voice work. Their casting avoids treating authenticity as a publicity stunt performed by newcomers brought in only for one symbolic scene. The work now has to give them material worthy of that decision.


Apu’s original popularity complicates the debate. For some South Asian viewers, he was one of the only Indian characters regularly visible on American television. That visibility could feel meaningful and embarrassing at the same time. The documentary The Problem with Apu helped bring those contradictions into public focus, showing how a comic character could become a reference point used against real children and adults.


The Simpsons has changed other voice assignments in recent years, moving several characters of color to performers with corresponding backgrounds. Those decisions reflect a wider shift in animation, where a character’s identity is no longer treated as irrelevant to casting. Critics can still ask whether the industry offers enough original roles rather than only recasting figures created under older assumptions. A repaired legacy character cannot substitute for creating new South Asian lives, families and comic worlds.


The danger for the show is choosing safety over personality. Apu cannot return merely to demonstrate that everyone involved behaved correctly. Comedy needs friction, flaws and surprise. The challenge is to let him be funny without returning to the same limited machinery. A fuller character can still be ridiculous, selfish, warm, ambitious and wrong. He simply cannot be the only person in the room whose identity is the joke.


After nine years, one scene cannot answer every criticism or restore every fan’s trust. It can reveal whether The Simpsons is willing to do more than change the name in a casting slot. Apu’s new voice marks a real shift. The meaningful measure will be what he gets to say next, who writes those lines and whether Springfield finally makes room for him as a person rather than a problem to avoid.


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